Showing posts with label Artist Books. Show all posts
Showing posts with label Artist Books. Show all posts

Monday, 4 May 2015

Sample Box - Concertina Fold Book Exemplars


Sampler box of 1 medium format and 16 miniature concertina books. 
Made as exemplars for beginners workshops.
(Housing measures 21w x 30h cm).




Constructed from 200gsm kraft paper, 180gsm Canson Aquarello, 
vellum, vintage book pages & found images.




Examples include:
 niches - tabs - pockets - sewn in signatures - stitched pages -
envelopes - magic wallet - woven - pop-ups -
fold-outs - windows - doubled - frames -
convoluted folds - slides - cut outs 




Thursday, 26 February 2015

New Work - Two Sides to Every Story








 TWO SIDES TO EVERY STORY
Convoluted Concertina Fold, set of two, handmade  artists’ books (unique). 

Craft paper, rice paper, waterbased printing ink, acid free adhesive
(14.5cm h x 7.5cm w x 2cm d  - closed or 54cm d – fully open x 2 books)

Once again playing around with interwoven concertina folds, craft paper and printed feathers.  Good fun!


Sunday, 9 November 2014

Double Accordion Artist Book Structure





Trying out different looks for the double accordion fold format
I have been playing with.

Sunday, 2 November 2014

Prototypes




Have been working on some prototype book structures which have been rattling around in my head for quite a while.  So glad to get them out of my brain and into the real world - even happier that my ideas actually worked so flexibly in a structural form.  Now to work on some ideas for content.

Tuesday, 6 May 2014

Contributions to 'An Encyclopaedia of Everything'



Over the past little while I have involved myself sporadically with making a few books for Cheryl Penn's artist book project "An Encyclopaedia of Everything".

I am currently working on another edition for the project.  This time pamphlet stitch books as part of a collaborative trade between Artist Book 3.0 members.  For this latest edition I am incorporating lino prints with the subject of refugees/boat people.

I think this will be the final call of works for the project as the exhibition is imminent and Cheryl will reach her goal of 500 (?) books by the conclusion of this latest collaboration.

The most recent book I contributed was "After All", a concertina fold book about the final silence which awaits us all.  A bit of a dreary subject, but don't we all love a bit of melodrama now and then?! Unfortunately, I forgot to take a photo of the cover before I sent it off into the never, never.

A small extract from a well known  Edgar Allan Poe poem "The Raven" weaves it's way across the folds 
(Deep into to that darkness peering, long I stood there wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before) 
along with images of gravestones, dodos, skeletons and the like - all symbols of memento mori and eternal demise.

The other books I have contributed:

You are my everything......


 and

Missing


Wednesday, 27 November 2013

Artist Books 3.0 #12 - Biography - "Missing"



I have finally completed my edition of accordion fold books
for inclusion in the Artist Books 3.0 #12 (biography/autobiography) 
Collaborative Mail Art Group project.
"Missing"

The subject I chose to explore was Agatha Christie, specifically
the 11 days in December of 1926 she went missing.
I was originally going to poke a bit of fun,
making various disguises in which Ms Agatha
might have been spotted.
However, on re-reading information about the
personal angst which Ms Agatha was suffering at the time,
I thought it would be inconsiderate to make fun of her 
obvious state of desolation, even after all these years.

Herewith are the two pieces of writing 
included with the book (the first being a copy of the 
missing notice posted after Ms Agatha's disappearance,
offering a detailed (though not wholly flattering) description of her at the time:


       BERKSHIRE CONSTABULARY.
              WOKINGHAM DIVISION.
                       9th December 1926

MISSING
From her home “Styles” Sunningdale in this Division

Mrs. Agatha Mary Clarissa CHRISTIE

(WIFE OF COLONEL A. CHRISTIE)


AGE 35 YEARS, HEIGHT 5FT 7”. HAIR RED (Shingled),
NATURAL TEETH, EYES GREY,
COMPLEXION FAIR, WELL BUILT.

DRESSED – Grey Stockingette Skirt,
Green Jumper, Grey and dark Grey Cardigan,
small Green Velour Hat, may have hand bag
containing 5-10 pounds. Left home in
4 seater Morris Cowley car at 9.45 p.m.
on 3rd December leaving note saying she was
going for a drive.  The next morning the
car was found abandoned at Newlands
Corner, Albury, Surrey.

Should this lady be seen or any information
regarding her be obtained please communicate
to any Police Station, or to

        CHARLES GODDARD, Superintendent
                                  WOKINGHAM.

            Telephone No. 11 Wokingham




1926 was a tumultuous year for Agatha Christie.  Agatha’s books were beginning to gain in popularity, pushing her reluctantly into the spotlight.  Her ailing mother, Clarissa, died of bronchitis in early February.  Agatha’s husband, Archie, professed his distaste of grief and sadness and resolutely remained in Spain refusing to return to support Agatha through the funeral, her grief and the ordeal of sorting through her childhood home whilst caring for their young daughter.  When Archie did eventually return to England he took up residence in London, far away from their home in Surrey. He took a mistress, Nancy Neele, who shared his passion for golf.  It is believed Agatha, a shy, reserved person, quietly suffered a nervous breakdown after a year filled with personal trauma.

On the 3rd December, after Archie left for a weekend house party to announce his engagement to his mistress, Agatha slipped quietly from their home “Styles” and disappeared for eleven days.  After a nation wide manhunt she was found safe at the Hydropathic Hotel and Spa at Harrogate, claiming she was not aware of who she was or what she was doing there.
Her disappearance has sparked much conjecture through the years, however, Agatha refused to ever speak of the events.

Thursday, 7 November 2013

BAO #4 at UNSW CANBERRA







Congratulations and thanks to Caren Florance & Terence Uren
who have curated an exhibition of Book Art Object Edition 4 artist books at the UNSW Canberra (ADFA) Library in Canberra, Australia, during November 2013.

Caren has set up a great set of photos on Flickr if you would like to view the exhibition on line:



My contribution for BAO #4 "The Lost Typewriter Key" (photos above) is included -  
so nice to see it on display alongside some familiar names and books in what looks like a fabulous display.

Tuesday, 3 September 2013

Daisy Chain - Complete



Project complete 
(apart from making a housing in which to store/transport it).

This is the same structure as 
the Continuum book which I sent to Sheffield recently
(with a different paper cut design) .

I am now looking forward to playing around with
a slightly different construction method 
which I stumbled upon when making this one.  

It uses the same basic template but by
putting things together slightly differently
I can end up with a different looking outcome.

Show you my results fairly soon, I hope.

Friday, 30 August 2013

Latest Paper Cut Artist Book - In Progress



Latest project in progress (albeit extremely SLOW progress).

Friday, 26 July 2013

Renovations - Progress

Studio space - then...
Studio space - now

Downstairs Back of House - then
Downstairs Back of House - now
Rear of House - then
Rear of House - now

New Studio Space

Well, I am glad to say that things have been moving along
with the downstairs part of our renovations.
My studio is now clad, along with a new storage room,
old laundry and garage area.  
It makes such a difference, and it's not even finished yet.
Now deciding on light fixtures/placement, studio flooring options and exterior paint colours 
(The building crew favour the same colour as the top half of the house but
I am seriously considering the grey of the hand rails.  My thinking is that this will connect it
to the top half but give it weight and differentiate the new build from the old .

Any opinions?

PS:  On a totally different note -
I hope all the artist book makers who read this little blog of mine
will visit the Personal Histories blog from time to time and
hopefully consider being part of the exhibition.
If any one has any suggestions on how I can promote
participation in the event I'd be most grateful of suggestions.